By Christopher Borrelli Seventy years ago, Godzilla, King of the Monsters! debuted in Chicago theatres as half of a double bill with a Roger Corman prison flick, Swamp Women. Infamously, the monster movie underwent an extensive facelift between its Japanese premiere in 1954 and its landfall in the United States two years later: two independent production companies bought the American rights on an agreement that anything too Asian or unsettling be removed for American audiences. Out went all the...