At first glance, Mandy El-Sayegh’s The Campaign (2026) at the Bangkok Art & Culture Centre (BACC) looks like a luxury boutique whose creative director has gone for an “Oriental spiritual” look. Mannequins draped in patterned silks guard a red-floored, high-ceilinged temple, its walls plastered with silkscreened collages in amber and cumin tones. Above a video of the work’s making is a neon sign resembling a designer monogram. But it is all camouflage. The sign is the amateur radio identifier of...